Music For Films (Circa 1950)

 
Although this is an American Columbia LP, it mostly consists of recordings of British film music circa mid-20th century. The only well-known item on the record the one American item, Miklos Rozsa's music from Spellbound, here in a British performance. The best known composer represented is Ralph Vaughan Williams, whose beautiful score for the Loves of Joanna Godden was almost unknown until a recent re-recording.

Also on board are Allan Gray, with two very effective items, and Lord Berners, who wrote concert as well as film music. This is all that was ever recorded of Gray's film music.

Much of the record is devoted to three pieces by the now little-known (but very talented) Mischa Spoliansky. His A Voice in the Night from Wanted for Murder is one of the most effective of the many quasi-romantic piano concertos that turned up in film music following the success of Richard Addinsell's Warsaw Concerto. That latter piece is not included here. However, I have added another Addinsell item as a bonus. It is the original recording of music from Passionate Friends by the Philharmonia Orchestra and Muir Mathieson, and it comes from a different Entre album that otherwise is not film music.

I am sorry that there is a bit of groove damage at the beginning of this transfer. It quickly clears up.
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Valentino (1977)

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King Kong (1933)

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Gatefold Interior Cover

Divorce American Style (1967)

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Living Free (1972)

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Born Free (1966)

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Freud (1962)

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The Young Lovers (1964)

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Death On The Nile (1978)

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Bonjour Tristesse (1958)

Outstanding score from Georges Auric for the tale of decadence among the Parisians, featuring a perfect, languid version of the title song by Juliette Greco. (I've got to get her records out to listen!) Taken from an unplayed copy of the original issue.
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For Whom the Bell Tolls (1943)

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Justine (1969)

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Sisters (1973)

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The Bliss Of Mrs. Blossom (1968)

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Rhapsody Of Steel (1959)

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55 Days At Peking (1963)

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Circus World (1964)

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Danton (1983)

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The Perfect Furlough (1958)

 
All that was recorded from Frank Skinner's music for The Perfect Furlough (as far as I can tell) was this theme song, here presented by one of the stars of the film, Linda Cristal, who played Sandra Roca, the Argentine Bombshell. This is a promotional copy, with the original sticker from the Universal promo man who sent it out to a radio station to scare up some business for the flick. He also sent along this recorded interview with Linda Cristal. It would have been accompanied by a script (which I don't have). The DJ would read the questions off the script and this 45 would obligingly answer. The record has silences for the questions to be read, which I have edited out. This package also includes the flip side of the musical 45, which is a tune called It's Better in Spanish. (It's not.) Cristal is not a bad singer, but has a little too much "personality" for my taste.
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